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The whole family watches together. Also, I think during the pandemic it was quite a positive show for a lot of people and a nice distraction. It’s got comedy, it can be emotional and at times it can be sad. It deals with a topic, death, that we don't really talk about that much, while balancing that with comedy. There hadn't been anything like it in a while.
spooky British TV period dramas to watch this Halloween
That's not a load of people being like, "Good on you!". That's a lot of people being like, "No, you can't do anything". I would imagine it probably has a strong effect when the generation is only 60 years ago. I sit and I'm like, "The amount of people that would want to stand where I am, two metres away from you doing this ridiculous stuff", and like having to go again because I'm laughing. There's just a way they've all eased into the reality of how it is, and I think so much stuff has gone wrong that I guess by this stage, she is just way better at dealing with stuff. It's just way more expected that the ghosts will do something to make things difficult.
Where do we find Mike and Alison?
Television has grown very tense in recent years, but there is a lot to be said for TV that is sweet, funny, clever and warm. I hope that one day Ghosts comes back to haunt us. “The reason I like her is because she’s ultimately very warm and she’s very optimistic. She really does try to make the best of things all the time, and I think that’s a lovely quality in a person.
Charlotte Ritchie — things you didn’t know about the star
It wasn't really the last day that did it to me – by then I think I’d pre-grieved! I think that phrase is from Succession, but I’m sure I coined it first! In some ways, it’s cathartic to say, “OK, that's it. That’s the end of the chapter.” Strangely, you get used to that in this job. There are so many goodbyes that we have to see them as a good thing because otherwise, it's just too sad all the time.
Writer
That is why the audience have that perception of getting to know a character better every week because you’re stripping away layers each time. That particularly applies to the Captain because the more the audience have got to know him over the course of five seasons, the more they have softened towards him. The first question when you’re setting out on a BBC comedy is, “Is this funny? ” And then, as the story progresses, you go into the characters’ lives, peel back layers and reveal their personalities. I've always felt it's very funny to watch very buttoned-up people. You think, “You were a child once, and there’s still a child in there, someone who wants to be loved.” That creates a beautiful comic tension.
'I was really emotional leading up to the end' : Interviews 2023 - Chortle
'I was really emotional leading up to the end' : Interviews 2023.
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” because that’s what we keep saying – “Why have we done this? ” I hope they feel that it's a rewarding tying up. We tried not to do what's expected. We wanted it to finish in a way that felt satisfying for the viewer, but also for the Ghosts, too.
Have you seen any improvements on set in the past decade since you've done Fresh Meat?
But yes, I think we were all taken by surprise by how emotional it was. The last scene we shot was the last scene of the series so it really tugged on the heartstrings. There were a lot of tears, but it was happy and sad.
Ghosts star Charlotte Ritchie's forgotten Harry Potter movie role before she was famous - Express
Ghosts star Charlotte Ritchie's forgotten Harry Potter movie role before she was famous.
Posted: Mon, 25 Dec 2023 08:00:00 GMT [source]
I find it actually hard to talk about Alison because in some ways I just feel really similar to her. I don't live with any ghosts or anything like that, but I have a lot in common with her. I worked with someone recently, and when their kids met me, they were like, “Oh, she is Alison” - which is a real compliment. If this was a very gritty drama, their relationship would be really on the rocks. She is a lovely character to play.
They couldn’t be more different, but there is such a tenderness in the way that Lady Button comes round and loves Alison, despite the fact that she represents everything that Lady Button thinks is awful. “It slightly exposes how unsustainable it is. Season 5 finds Alison and Mike searching for new ways to keep Button House going after the gatehouse fire, as they receive some unexpected news that will bring about major changes for them and the Ghosts.
One of the many feathers in its extremely feathered cap is that its Christmas specials have proved to be the only truly essential festive viewing left. Still, all good hauntings must come to an end, and this fifth series is the last. I think it's also the nature of it, just being a long-running thing. People do say that about a long-running show. You get that sense of homeliness, which you really crave in this industry because it's so rare.
Through the series, there's been a little bit about what it is to be British and colonialism and same-sex marriage. You get to lightly touch deeper issues as well because it's disguised amongst a lot of silliness. The six of us have grown up together. It's nearly 15 years now that we've worked together, and looking at them, I was just thinking about all the things that we've done together.
Now, the BBC1 comedy is back on Monday 9 August with more ghostly goings-on for Alison (Charlotte Ritchie) and Mike (Kiell Smith-Bynoe) and their haunting housemates, who only Alison can see. Ghosts has captivated audiences with its hilarious but at times touching portrayal of a young couple sharing their inherited stately home with a bunch of spooks from across the ages. In many ways, its end point is arbitrary. The formula is so good, and so well-oiled, that you get the sense it could have gone on for ever. There is a Simpsons-esque longevity built into its bones that would have been hampered only by its actors getting older, since the ghosts are supposed to remain as they were when they died. The only upside to the creators calling time on Button House now is that there is no danger of it outstaying its welcome.
“I think that was nicely ballasted by James Cleverly or Piers Morgan a few years later around Brexit saying that it was a waste of licence fee,” says Baynton. It was actually Morgan who, with his unerring grasp of the national mood, in 2020 tweeted that the show was “an outrageous, shameful abuse of public money”. Yes, it was really hard because the prospect is that you might not have this ever again; this might be it. But it's quite a lot to deal with in the moment.
Claire is Assistant Managing Editor at What To Watch and has been a journalist for over 15 years, writing about everything from soaps and TV to beauty, entertainment, and even the Royal Family. Ghosts is set to bow out for good as the doors close at haunted Button House in the fifth and final season of the acclaimed comedy. I think it's a really hard one because when something is like that, actually for a lot of people to feel safe, spontaneity wouldn't be around.
They have all got families of their own as well, and I think they make something that they would want to watch with their families. Interestingly, even though it is a group of six writing together, it never really feels like too many cooks. It just feels like they've just got so many amazing ideas. They also act as well as write, which I think helps because they know how to write for themselves, and they know how to write for other performers as well.
Ritchie was a contestant on series 11 of Taskmaster, which was broadcast on Channel 4 in March to May 2021.[12] She has since been a guest on several episodes of the official Taskmaster podcast. She stars alongside Tom Stourton in the BBC Three sitcom Siblings, which was first broadcast in summer 2014, and she appeared as a guest panellist in the same year on 8 Out of 10 Cats. Mary finds her voice and it's really nice, there are beautiful scenes from that era." Enter Upload scene-stealer Allegra Edwards, who plays a ghost with whom Pete connects during his trip to the Caribbean.
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